![]() “We do find quite a few bidders coming when we are offering paintings that are exciting like this,” Mr. Glazer said that demand for old masters remains strong and that the provenance of a museum adds luster. “If the answer is yes, after a lot of research and thought, then that becomes a good candidate for deaccession.”ĭespite an art market that is heavily focused on contemporary work, Mr. ![]() “Can we still tell the story of that artist? Can we still tell the story of that moment? Can we still have the kinds of conversations that we want to without damaging our ability to do any of this?” said Lisa Small, the museum’s senior curator of European art. Works by Jehan-Georges Vibert and an anonymous artist from the Netherlandish School will also be sold online starting on Oct. That same day, the auction house’s European Art sale will include works from the museum by Gustave Courbet, Camille Corot, Hendrik Willem Mesdag, Charles-François Daubigny and Philip Wilson Steer. They include works by Lucas Cranach the Elder, Donato de’ Bardi, Giovanni dal Ponte, Francesco Botticini and a portrait attributed to Lorenzo Costa, all of which will be sold in Christie’s old masters live auction on Oct. “We have a deep collection of high-quality art, but we have works that - like many museums of our size - have not been shown ever or for decades.” The deaccessioned works - selected by the curators and approved by the board - “are good examples of their kind but don’t diminish our collections in their absence,” Ms. ![]()
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